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The Cummer Museum of Art & Gardens is committed to engage and inspire through the arts, gardens and education. A permanent collection of nearly 5,000 works of art on a riverfront campus offers more than 95,000 annual visitors a truly unique experience on the First Coast. Nationally recognized education programs serve adults and children of all abilities.

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One Interns Experience of Very Special Arts

May

17

Written by Torrie Peterson, Marketing and Development Intern

Lobby 1Each year the Cummer Museum of Art & Gardens is home to the Very Special Arts Festival for students with disabilities. The festival gives students the opportunity to visit the Museum, explore Art Connections, and create artwork through various art stops. The staff designed and brought to life several art projects that allow every student to participate, regardless of ability.

Painting Stop 5

What I have yet to mention is that I am the Marketing and Development intern, and the VSA Festival was my first week At the Museum. I entered the Museum on Tuesday morning, and immediately made myself useful in one of two painting stations. Staff members thoroughly explained our responsibilities, and assigned everyone in the room to a table and job. Within the hour, thousands of students started pouring into the Museum, and rotating into our painting station. They started painting landscapes with green paints, then switched to reds to create flowers. It was a group effort by staff and volunteers to clean the tables and adaptable painting tools, and replace them before the next group of student visitors entered. The day went by fast, and we hustled to make every students experience the best. As I looked around the room, I realized why this festival is such a special week.  You could tell just by watching them, that the students did not have many experiences like this, and were very excited. When the time came to move to another station, the students were sad to leave their work, and wanted to continue painting. It goes to show how universal art is, and how therapeutic it is for not only our student visitors, but for the volunteers and staff that help.

Clay 2

Later in the week, I helped staff and volunteers in the clay station and Art Connections by monitoring traffic and collecting the finished clay projects. The clay room – a little less messier than the painting station, but just as exciting – is where I saw the students creativity peak. The staff and volunteers showed the students how to mold their block of clay into a flower. Whether these students were hearing, visually, or language impaired, they were able to be successful. They used their hands, elbows, and chins to create something unique and meaningful. They were able to express themselves completely. By the end of the day I saw fewer flowers and more animals, such as dolphins and birds. I assisted a young boy who created a Batman sculpture, and would not rotate stations until he had the cape sculpted perfectly. As I collected the finished pieces, I reassured the students that they would get their sculptures back after we fired them. I can only imagine the excitement the students will exude when their sculptures finally arrive.

Being new to the festival, and a new intern to The Cummer, I was able to experience the VSA Festival in an exciting and unique way. I worked after VSA hours to prepare lunch for the volunteers who helped. I was able to witness the student’s excitement over the art, and I was able to share stories with the volunteers about their experiences. I was even given the opportunity to participate in the VIP/media tour that took place on Tuesday afternoon. The Cummer is the only VSA Museum that has the students to participate in projects throughout the galleries and grounds. I was told not to do for the students, but to guide them in creating whatever they felt. It was an inspiring and moving experience, and I feel grateful for my involvement.

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Artist in the Store: Michael Viafora

May

14

Viafora 1

Artist in the Store

Tuesday, May 14th from 5 p.m. to 7 p.m.

Artist in the Market 

Saturday, May 18th from 10 a.m. to 4 p.m.

Michael Viafora is an authentic automotive artist who has been drawing , painting, and designing and rebuilding automobiles since winning a Pinewood Derby design contest as a child in his native state of New York. Viafora graduated from Jacksonville University and has been an art instructor for the DCPS for a number of years.Using his automotive themed art he was selected as a featured billboard artist in the “Embracing Our Differences” exhibition in Sarasota Florida as well as locally winning the Jacksonville bookmark design contest. His automotive art graces the homes of many local car collectors.  Viafora states ” I use watercolor and acrylic to paint the automotive form with the same vigor as contemporary artists paint the human portrait and figure “

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Future Retro: The Great Age of the American Automobile

May

14

Richard Arbib (1917–1995)

Richard Arbib (1917–1995)
Cyclar Mark IV “Mopod” Vehicle Proposal
1979
Ink, gouache and graphite pencil with collage elements on illustration board
Height x width: 55.9 x 74.9 cm (22 x 29 1/2 in.)
Framed: 60.6 x 78.1 x 2.9 cm (23 7/8 x 30 3/4 x 1 1/8 in.)
Jean S. and Frederic A. Sharf Collection
L-SE 1046.1.10

The Cummer Museum of Art & Gardens would like to present Future Retro: The Great Age of the American Automobile,an exhibition comprised of drawings from the collection of Jean S. and Frederick A. Sharf and the Museum of Fine Arts, Boston that showcase the beauty and ingenuity of American automotive design during the decades following World War II, a landmark period in car styling.These illustrations provide a rare glimpse into the creative process of some of America’s premiere car designers.

 

L-SE 1046.1.32

L-SE 1046.1.32
Peter Wozena
Oldsmobile Proposal
June 12, 1958
Colored pencil and graphite on tracing paper and white gouache
Height x width: 35.6 x 42.5 cm (14 x 16 3/4 in.)
Framed: 60 x 81 x 2.5 cm (23 5/8 x 31 7/8 x 1 in.)
Jean S. and Frederic A. Sharf Collection

The MFA’s collection includes an extensive selection of illustrations, ranging from preliminary sketches to fully rendered works intended for presentation to car company executives. 

 

L-SE 1046.1.30

L-SE 1046.1.30
Elia Russinoff (born in 1930)
Design Proposal: Two Door Sports Car
1953
Colored pencil on black paper
Height x width: 59.7 x 73.7 cm (23 1/2 x 29 in.)
Framed: 63.5 x 78.1 x 2.5 cm (25 x 30 3/4 x 1 in.)
Jean S. and Frederic A. Sharf Collection

Some of the drawings featured in the exhibition articulate concepts that would later be incorporated into specific models, while others represent futuristic ideas that were curtailed before even making it past the drawing board.

Six eye-catching cars, 1957 Cadillac El Dorado Biarritz, 1956 Continental Mark II, 1956 GM Firebird II, 1963 Chrysler Turbine, 1963 Ford Thunderbird Sports Roadster, and the 1961 Chevrolet Impala SS are reflective of the modern period, and will certainly steal the show. 

 

Chrysler Corporation and Carrozzeria Ghia, Chrysler Turbine, 1963, front-engine, rear-drive hard top coupe, 201.6 x 72.9 x 53.5 in., Courtesy of the Chrysler Group, LLC.

Chrysler Corporation and Carrozzeria Ghia, Chrysler Turbine, 1963, front-engine, rear-drive hard top coupe, 201.6 x 72.9 x 53.5 in., Courtesy of the Chrysler Group, LLC.

Adding depth and perspective, which will enhance the experience of viewing the MFA collection, as they represent the culmination of the era’s engineering and design.

Chevrolet, Impala Super Sport, 1961, convertible, 209.3 x 78.4 x 55.5 in., Courtesy of Dr. and Mrs. Wellington C. Morton.

Chevrolet, Impala Super Sport, 1961, convertible, 209.3 x 78.4 x 55.5 in., Courtesy of Dr. and Mrs. Wellington C. Morton.

This exhibition will be on view from May 14 through September 8, 2013.

For more information, please visit our website.

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Nazi Art Looting Presentation Returns

May

09

Back by popular demand, please join Chief Curator Holly Keris for an encore presentation of a closer look into Nazi Art looting.

So, what do the Nazis have to do with Jacksonville, you ask? With two pieces of Nazi loot uncovered in The Cummer’s permanent collection, the answer is more than you might think.

From 1933 through the end of World War II in 1945, the Nazi regime systematically pillaged cultural property and artworks throughout continental Europe.  Some of their loot was sold to fund Nazi-related activities; some became the property of senior party officials.  Other pieces were destroyed.  After the war, tens of thousands of confiscated objects were recovered by the Allies, but that was only a portion of the works stolen. Although exhaustive efforts were made to return these objects to their rightful owners, many works of art never found their way home.

To this day, museums and individual collectors still struggle to verify the proper ownership of works of art that changed hands during these years.

This presentation returns as part of The Cummer’s Talks & Tea Series, which invite you to sit comfortably in the Galleries and Gardens of the Cummer Museum of Art & Gardens while art historians, artists, and other experts facilitate informational and educational discussions on various topics related to the Museum’s permanent collection, as well as special exhibitions. At the conclusion of each talk, tea and light refreshments will be served. This presentation on Nazi Art looting will take place on Wednesday  May 15 and Thursday, May 16 at 1:30.

Call 904.899.6038 to make your required reservations, and we will check your name in at the door on the day of the event.  Tickets are $6 per person.

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