Cummer Resources

The Cummer Museum of Art & Gardens is committed to engage and inspire through the arts, gardens and education. A permanent collection of nearly 5,000 works of art on a riverfront campus offers more than 95,000 annual visitors a truly unique experience on the First Coast. Nationally recognized education programs serve adults and children of all abilities.

Art »
Upcoming Exhibitions
Past Exhibitions
European Collection
American Collection
Meissen Porcelain Collection
Antiquities
Special Collections
Gardens »
Upper Garden
English Garden
Olmsted Garden
Italian Garden
Season Highlights
Garden Ornaments
Education »
Art Connections
Classes
Tours
Programs
For Teachers
For Kids
Docents
Get Involved »
Join the Cummer
Benefits and Levels
Membership Groups
Our Partners
Make A Donation
Volunteer Opportunities
Internships
Employment

#46 Workshop of Gian Lorenzo Bernini: Cardinal de Richelieu

Feb

01

Workshop of Gian Lorenzo Bernini (Italian, 1598 - 1680), Armand Jean du Plessis, Cardinal de Richelieu, c. 1641, marble, 26 in., Gift of Mr. and Mrs. Edward W. Lane, Jr., AG.1970.7.1.

Cardinal de Richelieu (1585-1642) was a man of respectable but humble origins who became the chief minister of King Louis XIII (1601-1643) in 1624 and, eventually, the virtual ruler of France. Bernini completed a marble portrait bust of the Cardinal in 1640. The pre-eminent sculptor and architect of his day, Bernini’s work is characterized by the dramatic play of light and dark seen in the deep carving of this piece. The solemn, piercing gaze of the Cardinal and the slipped button on his lapel silently convey the dynamic tension for which the artist was known.

This sculpture is one of several nearly identical marble portrait busts of Richelieu credited to Bernini’s workshop or assistants. Similarities between the drill marks and details found on this bust and the original, at the Musée du Louvre in Paris, suggest that this marble was created in Bernini’s studio in the presence of the original. Bernini executed the original bust in Rome while Cardinal Richelieu was in France. Access to a triple portrait of the cardinal by Philippe de Champaigne (1602-1674), showing Richelieu from three angles, made it possible for Bernini to carve a close likeness. The number of seventeenth-century copies of this work attests to the popularity of the original at a time when studio assistants were producing sought-after replicas under the supervision of their master.

“Bernini didn’t want to do the bust, but was forced to. The cardinal was very precise in his dress, so as a slight Bernini made one of his 3 buttons half in and half out. I was sent here as an extra credit project for SJRCC. This piece was listed in my humanities book and I thought it was cool to see it in person.” – anonymous

Keep an eye out every week for more visitor favorites.  We will be highlighting each of the top fifty pieces during our 50th Anniversary year.  If you want a more intimate encounter, stop by the museum and see these masterpieces for yourself!

Tags: , , , , ,

Post Author

This post was written by who has written 132 posts on The Cummer Museum of Art & Gardens.